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・ Equine drug testing
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・ Equine herpesvirus
・ Equestrian monument of Emmanuel Philibert, Turin
・ Equestrian Monument of Ferdinando I
・ Equestrian Monument of Niccolò da Tolentino
・ Equestrian monument to General Manuel Belgrano
・ Equestrian monument to Vittorio Emanuele II, Florence
・ Equestrian of Simón Bolívar
・ Equestrian perniosis
・ Equestrian Portrait of Charles I
・ Equestrian Portrait of Charles V
Equestrian Portrait of Elisabeth of France
・ Equestrian Portrait of Margarita of Austria
・ Equestrian Portrait of Philip III
・ Equestrian Portrait of Philip IV
・ Equestrian Portrait of Prince Balthasar Charles
・ Equestrian Portrait of the Count-Duke of Olivares
・ Equestrian Portrait of the Duke of Lerma
・ Equestrian Scouting and Guiding
・ Equestrian sport in India
・ Equestrian staircase
・ Equestrian statue
・ Equestrian statue of Absalon
・ Equestrian statue of Bartolomeo Colleoni
・ Equestrian statue of Charles I, Charing Cross
・ Equestrian statue of Charles IV of Spain


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Equestrian Portrait of Elisabeth of France : ウィキペディア英語版
Equestrian Portrait of Elisabeth of France

The portrait ''Equestrian Portrait of Elisabeth of France'' was painted by Velázquez of Elisabeth of France ''circa'' 1635, originally for the Salón de Reinos and now in the Prado since the gallery's institution in 1819.
==History of the work==

Velasquez had been commissioned to paint a series of five equestrian portraits of the royal family, Felipe III, his wife Queen Margaret of Austria, Felipe IV, his wife Elizabeth of France and their son Baltazar Carlos. This last was smaller than those of the other family members, as it was intended to be hung on a door and therefore viewed from a lower perspective.
This work of Velasquez had significant input from members of his workshop. The technical studies conducted in the Prado Museum under the direction of Carmen Garrido indicated that the five equestrian portraits were painted at the same time and with the same preparation. The idea that Velasquez retouched a painting by an earlier painter to add detail to the queen's clothing and the trappings of the horse has received support from a number of critics; X-rays reveal a painting under the visible one, in which the horse's girth is visible and the queen's clothing is simpler than the existing one. Later, when Velasquez was finishing details in the queen's head and the horse's legs, a more patient painter filled in the meticulous details of the embroidery, thus obscuring details of the painting previously laid down.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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